{"id":527,"date":"2024-06-13T22:07:29","date_gmt":"2024-06-13T20:07:29","guid":{"rendered":"https:\/\/archifilm.fr\/wp\/?p=527"},"modified":"2024-06-22T17:04:33","modified_gmt":"2024-06-22T15:04:33","slug":"cleo-de-cinq-a-sept-agnes-varda-1962-2","status":"publish","type":"post","link":"https:\/\/archifilm.fr\/wp\/?p=527","title":{"rendered":"Cl\u00e9o de cinq \u00e0 sept, Agn\u00e8s Varda, 1962"},"content":{"rendered":"\n<p class=\"has-text-align-center\">_<\/p>\n\n\n\n<p><strong>Bande annonce<\/strong><\/p>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe title=\"Cl\u00e9o de 5 \u00e0 7 (1962) Bande Annonce VF\" width=\"950\" height=\"534\" src=\"https:\/\/www.youtube.com\/embed\/ifcyxdCuNM8?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<p class=\"has-text-align-center\">_<\/p>\n\n\n\n<p><\/p>\n\n\n\n<figure class=\"wp-block-table\"><table><tbody><tr><td class=\"has-text-align-center\" data-align=\"center\"><strong>Mots cl\u00e9s<\/strong><\/td><\/tr><tr><td class=\"has-text-align-center\" data-align=\"center\">Agn\u00e8s Varda, Michel Legrand, Corinne Marchand, Jos\u00e9 Luis de Vilallonga, com\u00e9die dramatique, Paris<\/td><\/tr><tr><td class=\"has-text-align-center\" data-align=\"center\">jardin, parc, patrimoine, rue, urbanisme, fa\u00e7ade, monument, parc Montsouris<\/td><\/tr><\/tbody><\/table><\/figure>\n\n\n\n<p><\/p>\n\n\n\n<p class=\"has-text-align-center\">_<\/p>\n\n\n\n<p><\/p>\n\n\n\n<p><strong>R\u00e9sum\u00e9<\/strong><\/p>\n\n\n\n<div class=\"wp-block-media-text is-stacked-on-mobile has-background-background-color has-background\"><figure class=\"wp-block-media-text__media\"><img fetchpriority=\"high\" decoding=\"async\" width=\"1024\" height=\"717\" src=\"https:\/\/archifilm.fr\/wp\/wp-content\/uploads\/2024\/06\/cleo_from_5_to_7_varda_01_w-e1582361841620-1024x717.webp\" alt=\"\" class=\"wp-image-675 size-full\" srcset=\"https:\/\/archifilm.fr\/wp\/wp-content\/uploads\/2024\/06\/cleo_from_5_to_7_varda_01_w-e1582361841620-1024x717.webp 1024w, https:\/\/archifilm.fr\/wp\/wp-content\/uploads\/2024\/06\/cleo_from_5_to_7_varda_01_w-e1582361841620-300x210.webp 300w, https:\/\/archifilm.fr\/wp\/wp-content\/uploads\/2024\/06\/cleo_from_5_to_7_varda_01_w-e1582361841620-150x105.webp 150w, https:\/\/archifilm.fr\/wp\/wp-content\/uploads\/2024\/06\/cleo_from_5_to_7_varda_01_w-e1582361841620-2000x1399.webp 2000w, https:\/\/archifilm.fr\/wp\/wp-content\/uploads\/2024\/06\/cleo_from_5_to_7_varda_01_w-e1582361841620.jpg 2048w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/><\/figure><div class=\"wp-block-media-text__content\">\n<p><em>(d&rsquo;apr\u00e8s wikipedia)<\/em><\/p>\n\n\n\n<p>L&rsquo;action se d\u00e9roule en temps r\u00e9el, le 21 juin 1961 \u00e0 <a href=\"https:\/\/fr.wikipedia.org\/wiki\/Paris\">Paris<\/a>. Cl\u00e9o, une jeune et belle chanteuse plut\u00f4t frivole, craint d&rsquo;\u00eatre atteinte d&rsquo;un cancer. Il est 17 heures et elle doit r\u00e9cup\u00e9rer les r\u00e9sultats de ses examens m\u00e9dicaux dans 2 heures. Pour tromper sa peur, elle cherche un soutien dans son entourage. Elle va se heurter \u00e0 l&rsquo;incr\u00e9dulit\u00e9 voire \u00e0 l&rsquo;indiff\u00e9rence et mesurer la vacuit\u00e9 de son existence. Elle va finalement trouver le r\u00e9confort aupr\u00e8s d&rsquo;un inconnu \u00e0 l&rsquo;issue de son errance angoiss\u00e9e dans Paris.<\/p>\n<\/div><\/div>\n\n\n\n<div class=\"wp-block-media-text has-media-on-the-right is-stacked-on-mobile\"><div class=\"wp-block-media-text__content\">\n<p>Agn\u00e8s Varda voulait filmer le <a href=\"https:\/\/fr.wikipedia.org\/wiki\/1961_au_cin%C3%A9ma\">21 mars<\/a> pour \u00ab\u00a0capter dans Paris le passage merveilleux de l&rsquo;hiver au printemps avec les jardins passant du dessin \u00e0 la plume \u00e0 la peinture impressionniste\u00a0\u00bb. Pour des raisons financi\u00e8res, le tournage ne put commencer que le <a href=\"https:\/\/fr.wikipedia.org\/wiki\/1er_juin\">1<sup>er<\/sup>\u00a0juin<\/a>, pour s&rsquo;achever huit semaines plus tard. Le film b\u00e9n\u00e9ficie quand m\u00eame d&rsquo;images d&rsquo;un blanc cotonneux, lors des sc\u00e8nes tourn\u00e9es \u00e0 6 heures du matin au <a href=\"https:\/\/fr.wikipedia.org\/wiki\/Parc_Montsouris\">parc Montsouris<\/a>, pour une action cens\u00e9e se passer \u00e0 18 heures.<\/p>\n<\/div><figure class=\"wp-block-media-text__media\"><img decoding=\"async\" width=\"1024\" height=\"576\" src=\"https:\/\/archifilm.fr\/wp\/wp-content\/uploads\/2024\/06\/ob_ad9df5_cleo-de-5-a-7-1024x576.webp\" alt=\"\" class=\"wp-image-676 size-full\" srcset=\"https:\/\/archifilm.fr\/wp\/wp-content\/uploads\/2024\/06\/ob_ad9df5_cleo-de-5-a-7-1024x576.webp 1024w, https:\/\/archifilm.fr\/wp\/wp-content\/uploads\/2024\/06\/ob_ad9df5_cleo-de-5-a-7-300x169.webp 300w, https:\/\/archifilm.fr\/wp\/wp-content\/uploads\/2024\/06\/ob_ad9df5_cleo-de-5-a-7-150x84.webp 150w, https:\/\/archifilm.fr\/wp\/wp-content\/uploads\/2024\/06\/ob_ad9df5_cleo-de-5-a-7-jpg.webp 1600w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/><\/figure><\/div>\n\n\n\n<div class=\"wp-block-media-text is-stacked-on-mobile has-background-background-color has-background\"><figure class=\"wp-block-media-text__media\"><img decoding=\"async\" width=\"1024\" height=\"576\" src=\"https:\/\/archifilm.fr\/wp\/wp-content\/uploads\/2024\/06\/cleo-de-5-a-7-agnes-varda-2-1024x576.webp\" alt=\"\" class=\"wp-image-677 size-full\" srcset=\"https:\/\/archifilm.fr\/wp\/wp-content\/uploads\/2024\/06\/cleo-de-5-a-7-agnes-varda-2-1024x576.webp 1024w, https:\/\/archifilm.fr\/wp\/wp-content\/uploads\/2024\/06\/cleo-de-5-a-7-agnes-varda-2-300x169.webp 300w, https:\/\/archifilm.fr\/wp\/wp-content\/uploads\/2024\/06\/cleo-de-5-a-7-agnes-varda-2-150x84.webp 150w, https:\/\/archifilm.fr\/wp\/wp-content\/uploads\/2024\/06\/cleo-de-5-a-7-agnes-varda-2-jpg.webp 1200w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/><\/figure><div class=\"wp-block-media-text__content\">\n<p>Marine Landrot\u00a0de T\u00e9l\u00e9rama \u00e9crit : \u00ab\u00a0Avec intelligence, Agn\u00e8s Varda canalise les battements d&rsquo;ailes de son papillon angoiss\u00e9 par la mort. Pariant sur l&rsquo;infini des miroirs et des arr\u00eats sur image, elle lui offre des secondes d&rsquo;\u00e9ternit\u00e9, tout en orchestrant violemment la vie autour d&rsquo;elle et sans elle. La cin\u00e9aste regarde Paris tendrement et sauvagement\u00a0: elle ausculte la capitale, lui fait ouvrir grand la bouche pour montrer ses mangeurs de grenouilles, ses parcs, ses autobus \u00e0 plate-forme, ses potaches des Beaux-Arts, ses passants curieux. \u00ab\u00a0Tant que je suis vivante, je suis belle\u00a0\u00bb, semble crier la ville, inversant avec insolence l&rsquo;hymne de survie de Cl\u00e9o. Un film fragile et l\u00e9ger, qui cherche \u00e0 aider les hommes \u00e0 supporter leur aveuglante condition de mortels.\u00a0\u00bb<\/p>\n<\/div><\/div>\n\n\n\n<p><\/p>\n\n\n\n<p class=\"has-text-align-center\">_<\/p>\n\n\n\n<p><\/p>\n\n\n\n<p><strong>Extraits du film<\/strong><\/p>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-4-3 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe title=\"Cl\u00e9o de 5 \u00e0 7 (1962) Director: Agn\u00e8s Varda #cinematic #frenchcinema\" width=\"950\" height=\"713\" src=\"https:\/\/www.youtube.com\/embed\/ljIS8C22djo?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe title=\"CLE\u0301O DE 5 A\u0300 7 (1962) en franc\u0327ais HD (FRENCH) Streaming\" width=\"950\" height=\"534\" src=\"https:\/\/www.youtube.com\/embed\/hOQqLG5oUqo?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<h2 class=\"wp-block-heading has-text-align-center\"><a href=\"http:\/\/www.archifilm.fr\/wp\/?redirect_to=random\">Consulter une autre fiche tir\u00e9e au hasard<\/a><\/h2>\n\n\n\n<p><\/p>\n","protected":false},"excerpt":{"rendered":"<p>_ Bande annonce _ Mots cl\u00e9s Agn\u00e8s Varda, Michel Legrand, Corinne Marchand, Jos\u00e9 Luis de Vilallonga, com\u00e9die dramatique, Paris jardin, parc, patrimoine, rue, urbanisme, fa\u00e7ade, monument, parc Montsouris _ R\u00e9sum\u00e9 (d&rsquo;apr\u00e8s wikipedia) L&rsquo;action se d\u00e9roule en temps r\u00e9el, le 21 juin 1961 \u00e0 Paris. Cl\u00e9o, une jeune et belle chanteuse plut\u00f4t frivole, craint d&rsquo;\u00eatre atteinte &hellip; <\/p>\n<p class=\"link-more\"><a href=\"https:\/\/archifilm.fr\/wp\/?p=527\" class=\"more-link\">Lire la suite de<span class=\"screen-reader-text\">\u00ab\u00a0Cl\u00e9o de cinq \u00e0 sept, Agn\u00e8s Varda, 1962\u00a0\u00bb<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[7],"tags":[],"class_list":["post-527","post","type-post","status-publish","format-standard","hentry","category-ressources"],"featured_media_urls":[],"_links":{"self":[{"href":"https:\/\/archifilm.fr\/wp\/index.php?rest_route=\/wp\/v2\/posts\/527","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/archifilm.fr\/wp\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/archifilm.fr\/wp\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/archifilm.fr\/wp\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/archifilm.fr\/wp\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=527"}],"version-history":[{"count":6,"href":"https:\/\/archifilm.fr\/wp\/index.php?rest_route=\/wp\/v2\/posts\/527\/revisions"}],"predecessor-version":[{"id":678,"href":"https:\/\/archifilm.fr\/wp\/index.php?rest_route=\/wp\/v2\/posts\/527\/revisions\/678"}],"wp:attachment":[{"href":"https:\/\/archifilm.fr\/wp\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=527"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/archifilm.fr\/wp\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=527"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/archifilm.fr\/wp\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=527"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}