{"id":541,"date":"2024-06-14T09:05:32","date_gmt":"2024-06-14T07:05:32","guid":{"rendered":"https:\/\/archifilm.fr\/wp\/?p=541"},"modified":"2024-06-18T17:35:33","modified_gmt":"2024-06-18T15:35:33","slug":"perfect-days-wim-wenders-2023","status":"publish","type":"post","link":"https:\/\/archifilm.fr\/wp\/?p=541","title":{"rendered":"Perfect Days, Wim Wenders, 2023"},"content":{"rendered":"\n<p class=\"has-text-align-center\">_<\/p>\n\n\n\n<p><strong>Bande annonce<\/strong><\/p>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe title=\"PERFECT DAYS - Bande-annonce\" width=\"950\" height=\"534\" src=\"https:\/\/www.youtube.com\/embed\/kLYFBhcwYj4?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<p><\/p>\n\n\n\n<p class=\"has-text-align-center\">_<\/p>\n\n\n\n<p><\/p>\n\n\n\n<figure class=\"wp-block-table\"><table><tbody><tr><td class=\"has-text-align-center\" data-align=\"center\"><strong>Mots cl\u00e9s<\/strong><\/td><\/tr><tr><td class=\"has-text-align-center\" data-align=\"center\">Win Wenders, K\u014dji Yakusho, drame, Tokyo<\/td><\/tr><tr><td class=\"has-text-align-center\" data-align=\"center\">toilettes publiques, studio, m\u00e9tro, m\u00e9galopole<\/td><\/tr><\/tbody><\/table><\/figure>\n\n\n\n<p><\/p>\n\n\n\n<p class=\"has-text-align-center\">_<\/p>\n\n\n\n<p><\/p>\n\n\n\n<p><strong>R\u00e9sum\u00e9<\/strong><\/p>\n\n\n\n<div class=\"wp-block-media-text is-stacked-on-mobile has-background-background-color has-background\"><figure class=\"wp-block-media-text__media\"><img fetchpriority=\"high\" decoding=\"async\" width=\"1024\" height=\"636\" src=\"http:\/\/archifilm.fr\/wp\/wp-content\/uploads\/2024\/06\/images-w1400-1024x636.jpg\" alt=\"\" class=\"wp-image-609 size-full\" srcset=\"https:\/\/archifilm.fr\/wp\/wp-content\/uploads\/2024\/06\/images-w1400-1024x636.jpg 1024w, https:\/\/archifilm.fr\/wp\/wp-content\/uploads\/2024\/06\/images-w1400-300x186.jpg 300w, https:\/\/archifilm.fr\/wp\/wp-content\/uploads\/2024\/06\/images-w1400.jpg 1400w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/><\/figure><div class=\"wp-block-media-text__content\">\n<p><em>(d&rsquo;apr\u00e8s wikipedia)<\/em><\/p>\n\n\n\n<p>Le film suit le quotidien de Hirayama, un quinquag\u00e9naire taciturne, cultiv\u00e9 et bienveillant, employ\u00e9 des <a href=\"https:\/\/fr.wikipedia.org\/wiki\/Toilettes_publiques\">toilettes publiques<\/a> du quartier de <a href=\"https:\/\/fr.wikipedia.org\/wiki\/Shibuya\">Shibuya<\/a>, \u00e0 <a href=\"https:\/\/fr.wikipedia.org\/wiki\/Tokyo\">Tokyo<\/a>. Il vit seul et suit une routine quotidienne, accomplissant consciencieusement son travail et consacrant son temps libre \u00e0 sa passion pour la <a href=\"https:\/\/fr.wikipedia.org\/wiki\/Musique\">musique<\/a>, la culture de plantes, la <a href=\"https:\/\/fr.wikipedia.org\/wiki\/Photographie\">photographie<\/a> et la <a href=\"https:\/\/fr.wikipedia.org\/wiki\/Litt%C3%A9rature\">litt\u00e9rature<\/a>.<\/p>\n<\/div><\/div>\n\n\n\n<div class=\"wp-block-media-text has-media-on-the-right is-stacked-on-mobile\"><div class=\"wp-block-media-text__content\">\n<p>Ses journ\u00e9es sont \u00e9maill\u00e9es de personnages inattendus, comme ce <a href=\"https:\/\/fr.wikipedia.org\/wiki\/Sans-abri\">sans-abri<\/a> qu&rsquo;il observe discr\u00e8tement jour apr\u00e8s jour, cette jeune fille qui mange son sandwich sur un banc du parc \u00e0 c\u00f4t\u00e9 du sien o\u00f9 il fait sa pause d\u00e9jeuner.<\/p>\n\n\n\n<p>Son assistant Takashi n&rsquo;est pas aussi consciencieux. Il s&rsquo;int\u00e9resse plut\u00f4t aux filles et \u00e0 l&rsquo;argent, et finit par d\u00e9missionner du jour au lendemain, ce qui n&rsquo;arrange pas du tout Hirayama.<\/p>\n<\/div><figure class=\"wp-block-media-text__media\"><img decoding=\"async\" width=\"1024\" height=\"512\" src=\"https:\/\/archifilm.fr\/wp\/wp-content\/uploads\/2024\/06\/f569063_1701081980216-03-perfectdays-2023-master-mind-ltd-1024x512.jpg\" alt=\"\" class=\"wp-image-608 size-full\" srcset=\"https:\/\/archifilm.fr\/wp\/wp-content\/uploads\/2024\/06\/f569063_1701081980216-03-perfectdays-2023-master-mind-ltd-1024x512.jpg 1024w, https:\/\/archifilm.fr\/wp\/wp-content\/uploads\/2024\/06\/f569063_1701081980216-03-perfectdays-2023-master-mind-ltd-300x150.jpg 300w, https:\/\/archifilm.fr\/wp\/wp-content\/uploads\/2024\/06\/f569063_1701081980216-03-perfectdays-2023-master-mind-ltd.jpg 1440w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/><\/figure><\/div>\n\n\n\n<div class=\"wp-block-media-text is-stacked-on-mobile has-background-background-color has-background\"><figure class=\"wp-block-media-text__media\"><img decoding=\"async\" width=\"1024\" height=\"756\" src=\"http:\/\/archifilm.fr\/wp\/wp-content\/uploads\/2024\/06\/fedca68_1701172176737-5-pic-1024x756.jpg\" alt=\"\" class=\"wp-image-606 size-full\" srcset=\"https:\/\/archifilm.fr\/wp\/wp-content\/uploads\/2024\/06\/fedca68_1701172176737-5-pic-1024x756.jpg 1024w, https:\/\/archifilm.fr\/wp\/wp-content\/uploads\/2024\/06\/fedca68_1701172176737-5-pic-300x221.jpg 300w, https:\/\/archifilm.fr\/wp\/wp-content\/uploads\/2024\/06\/fedca68_1701172176737-5-pic.jpg 1280w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/><\/figure><div class=\"wp-block-media-text__content\">\n<p>Hirayama re\u00e7oit aussi la visite inattendue de sa ni\u00e8ce Niko qui a <a href=\"https:\/\/fr.wikipedia.org\/wiki\/Fugue_(fuite_du_domicile_familial)\">fugu\u00e9<\/a> de son domicile. Il l&rsquo;h\u00e9berge quelques jours chez lui, et verse quelques larmes discr\u00e8tes lorsque sa m\u00e8re vient la chercher. Un autre jour, il surprend avec un homme la patronne d&rsquo;un bar dans lequel il a ses habitudes. L&rsquo;homme en question le rejoint, et lui explique qu&rsquo;il est son ex-mari, qu&rsquo;il est atteint d&rsquo;un cancer incurable, et qu&rsquo;il a souhait\u00e9 la revoir.<\/p>\n<\/div><\/div>\n\n\n\n<p><\/p>\n\n\n\n<p class=\"has-text-align-center\">_<\/p>\n\n\n\n<p><\/p>\n\n\n\n<p><strong>Site web autour du film<\/strong><\/p>\n\n\n\n<figure class=\"wp-block-image aligncenter size-large\"><a href=\"https:\/\/www.perfectdays-movie.jp\/en\/\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"466\" sizes=\"(max-width: 1024px) 100vw, 1024px\" src=\"https:\/\/archifilm.fr\/wp\/wp-content\/uploads\/2024\/06\/days-1024x466.jpg\" alt=\"\" class=\"wp-image-604\" srcset=\"https:\/\/archifilm.fr\/wp\/wp-content\/uploads\/2024\/06\/days-1024x466.jpg 1024w, https:\/\/archifilm.fr\/wp\/wp-content\/uploads\/2024\/06\/days-300x137.jpg 300w, https:\/\/archifilm.fr\/wp\/wp-content\/uploads\/2024\/06\/days.jpg 1872w\" \/><\/a><\/figure>\n\n\n\n<h2 class=\"wp-block-heading has-text-align-center\"><a href=\"http:\/\/www.archifilm.fr\/wp\/?redirect_to=random\">Consulter une autre fiche tir\u00e9e au hasard<\/a><\/h2>\n\n\n\n<p><\/p>\n","protected":false},"excerpt":{"rendered":"<p>_ Bande annonce _ Mots cl\u00e9s Win Wenders, K\u014dji Yakusho, drame, Tokyo toilettes publiques, studio, m\u00e9tro, m\u00e9galopole _ R\u00e9sum\u00e9 (d&rsquo;apr\u00e8s wikipedia) Le film suit le quotidien de Hirayama, un quinquag\u00e9naire taciturne, cultiv\u00e9 et bienveillant, employ\u00e9 des toilettes publiques du quartier de Shibuya, \u00e0 Tokyo. Il vit seul et suit une routine quotidienne, accomplissant consciencieusement son &hellip; <\/p>\n<p class=\"link-more\"><a href=\"https:\/\/archifilm.fr\/wp\/?p=541\" class=\"more-link\">Lire la suite de<span class=\"screen-reader-text\">\u00ab\u00a0Perfect Days, Wim Wenders, 2023\u00a0\u00bb<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[7],"tags":[],"class_list":["post-541","post","type-post","status-publish","format-standard","hentry","category-ressources"],"featured_media_urls":[],"_links":{"self":[{"href":"https:\/\/archifilm.fr\/wp\/index.php?rest_route=\/wp\/v2\/posts\/541","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/archifilm.fr\/wp\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/archifilm.fr\/wp\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/archifilm.fr\/wp\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/archifilm.fr\/wp\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=541"}],"version-history":[{"count":6,"href":"https:\/\/archifilm.fr\/wp\/index.php?rest_route=\/wp\/v2\/posts\/541\/revisions"}],"predecessor-version":[{"id":611,"href":"https:\/\/archifilm.fr\/wp\/index.php?rest_route=\/wp\/v2\/posts\/541\/revisions\/611"}],"wp:attachment":[{"href":"https:\/\/archifilm.fr\/wp\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=541"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/archifilm.fr\/wp\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=541"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/archifilm.fr\/wp\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=541"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}