{"id":548,"date":"2024-06-14T09:08:47","date_gmt":"2024-06-14T07:08:47","guid":{"rendered":"https:\/\/archifilm.fr\/wp\/?p=548"},"modified":"2024-06-15T09:16:12","modified_gmt":"2024-06-15T07:16:12","slug":"anatomie-dune-chute-justine-triet-2023","status":"publish","type":"post","link":"https:\/\/archifilm.fr\/wp\/?p=548","title":{"rendered":"Anatomie d\u2019une chute, Justine Triet, 2023"},"content":{"rendered":"\n<p class=\"has-text-align-center wp-block-paragraph\">_<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Bande annonce<\/strong><\/p>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe title=\"Anatomie d&#039;une chute | Bande-annonce\" width=\"950\" height=\"534\" src=\"https:\/\/www.youtube.com\/embed\/4vomBbFSs8g?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<p class=\"has-text-align-center wp-block-paragraph\">_<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n\n\n\n<figure class=\"wp-block-table\"><table><tbody><tr><td class=\"has-text-align-center\" data-align=\"center\"><strong>Mots cl\u00e9s<\/strong><\/td><\/tr><tr><td class=\"has-text-align-center\" data-align=\"center\">Justine Triet, Sandra H\u00fcller, Swann Arlaud, Milo Machado-Graner, drame, proc\u00e8s<\/td><\/tr><tr><td class=\"has-text-align-center\" data-align=\"center\">escalier, \u00e9tage, grenier, comble, chalet<\/td><\/tr><\/tbody><\/table><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n\n\n\n<p class=\"has-text-align-center wp-block-paragraph\">_<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>R\u00e9sum\u00e9<\/strong><\/p>\n\n\n\n<div class=\"wp-block-media-text is-stacked-on-mobile has-background-background-color has-background\"><figure class=\"wp-block-media-text__media\"><img fetchpriority=\"high\" decoding=\"async\" width=\"1024\" height=\"551\" src=\"https:\/\/archifilm.fr\/wp\/wp-content\/uploads\/2024\/06\/334501-1024x551.jpg\" alt=\"\" class=\"wp-image-576 size-full\" srcset=\"https:\/\/archifilm.fr\/wp\/wp-content\/uploads\/2024\/06\/334501-1024x551.jpg 1024w, https:\/\/archifilm.fr\/wp\/wp-content\/uploads\/2024\/06\/334501-300x161.jpg 300w, https:\/\/archifilm.fr\/wp\/wp-content\/uploads\/2024\/06\/334501.jpg 1920w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/><\/figure><div class=\"wp-block-media-text__content\">\n<p class=\"wp-block-paragraph\"><em>(d&rsquo;apr\u00e8s wikipedia)<\/em><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Sandra Voyter, Samuel Maleski et leur fils malvoyant Daniel, onze ans, vivent \u00e0 la montagne, non loin de <a href=\"https:\/\/fr.wikipedia.org\/wiki\/Grenoble\">Grenoble<\/a>. Un jour, Samuel est retrouv\u00e9 mort au pied de leur <a href=\"https:\/\/fr.wikipedia.org\/wiki\/Chalet\">chalet<\/a>. <a href=\"https:\/\/fr.wikipedia.org\/wiki\/Suicide\">Suicide<\/a> ou <a href=\"https:\/\/fr.wikipedia.org\/wiki\/Homicide\">homicide<\/a>\u00a0? Une <a href=\"https:\/\/fr.wikipedia.org\/wiki\/Enqu%C3%AAte_de_police\">enqu\u00eate<\/a> est ouverte, et Sandra est <a href=\"https:\/\/fr.wikipedia.org\/wiki\/Mise_en_examen\">mise en examen<\/a> malgr\u00e9 le doute. Un an plus tard, Daniel assiste au <a href=\"https:\/\/fr.wikipedia.org\/wiki\/Proc%C3%A8s_en_droit_fran%C3%A7ais\">proc\u00e8s<\/a> de sa m\u00e8re, v\u00e9ritable <a href=\"https:\/\/fr.wikipedia.org\/wiki\/Dissection\">dissection<\/a> du couple.<\/p>\n<\/div><\/div>\n\n\n\n<div class=\"wp-block-media-text has-media-on-the-right is-stacked-on-mobile\"><div class=\"wp-block-media-text__content\">\n<p class=\"wp-block-paragraph\"><a href=\"https:\/\/fr.wikipedia.org\/wiki\/Justine_Triet\">Justine Triet<\/a>, qui co\u00e9crit le sc\u00e9nario durant le confinement de 2020 avec son compagnon <a href=\"https:\/\/fr.wikipedia.org\/wiki\/Arthur_Harari\">Arthur Harari<\/a>, a expliqu\u00e9 l&rsquo;avoir construit comme \u00ab\u00a0un puzzle\u00a0\u00bb, dans lequel \u00ab\u00a0le spectateur est projet\u00e9 d\u00e8s la premi\u00e8re sc\u00e8ne et dont il ne comprend que tardivement le sens\u00a0\u00bb. Elle pr\u00e9cise dans un entretien \u00e0 <em>Affaires culturelles<\/em> sur <a href=\"https:\/\/fr.wikipedia.org\/wiki\/France_Culture\">France Culture<\/a> que son compagnon et elle \u00e9taient dans des pi\u00e8ces s\u00e9par\u00e9es de leur appartement et s&rsquo;envoyaient des versions par mail. Elle ajoute \u00e9galement que la sc\u00e8ne de la dispute, point culminant du proc\u00e8s, a n\u00e9cessit\u00e9 plus de 70 r\u00e9\u00e9critures.<\/p>\n<\/div><figure class=\"wp-block-media-text__media\"><img decoding=\"async\" width=\"840\" height=\"450\" src=\"https:\/\/archifilm.fr\/wp\/wp-content\/uploads\/2024\/06\/785885_cx__cy__cw__ch_-840x450-1.jpeg\" alt=\"\" class=\"wp-image-577 size-full\" srcset=\"https:\/\/archifilm.fr\/wp\/wp-content\/uploads\/2024\/06\/785885_cx__cy__cw__ch_-840x450-1.jpeg 840w, https:\/\/archifilm.fr\/wp\/wp-content\/uploads\/2024\/06\/785885_cx__cy__cw__ch_-840x450-1-300x161.jpeg 300w\" sizes=\"(max-width: 840px) 100vw, 840px\" \/><\/figure><\/div>\n\n\n\n<div class=\"wp-block-media-text is-stacked-on-mobile has-background-background-color has-background\"><figure class=\"wp-block-media-text__media\"><img decoding=\"async\" width=\"1024\" height=\"576\" src=\"https:\/\/archifilm.fr\/wp\/wp-content\/uploads\/2024\/06\/Chute2-1024x576.jpeg\" alt=\"\" class=\"wp-image-578 size-full\" srcset=\"https:\/\/archifilm.fr\/wp\/wp-content\/uploads\/2024\/06\/Chute2-1024x576.jpeg 1024w, https:\/\/archifilm.fr\/wp\/wp-content\/uploads\/2024\/06\/Chute2-300x169.jpeg 300w, https:\/\/archifilm.fr\/wp\/wp-content\/uploads\/2024\/06\/Chute2-2000x1125.jpeg 2000w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/><\/figure><div class=\"wp-block-media-text__content\">\n<p class=\"wp-block-paragraph\">La cin\u00e9aste reconna\u00eet \u00eatre \u00ab\u00a0devenue incollable sur le <a href=\"https:\/\/fr.wikipedia.org\/wiki\/Juge_des_libert%C3%A9s_et_de_la_d%C3%A9tention\">juge des libert\u00e9s<\/a>, gr\u00e2ce \u00e0 la complicit\u00e9 d&rsquo;un ami avocat et cin\u00e9phile quand la trame de ce <em>film de proc\u00e8s<\/em> inspir\u00e9 de faits divers de <a href=\"https:\/\/fr.wikipedia.org\/wiki\/True_crime\">documentaires criminels<\/a> est d\u00e9voil\u00e9e en janvier dans une enqu\u00eate du <em><a href=\"https:\/\/fr.wikipedia.org\/wiki\/Le_Monde\">Monde<\/a><\/em>\u00a0\u00bb lors de la premi\u00e8re projection du film. Afin de s&rsquo;assurer de l&rsquo;exactitude technique du proc\u00e8s ainsi que de la conception de l&rsquo;audience, elle fait appel \u00e0 l\u2019avocat p\u00e9naliste Vincent Courcelle Labrousse. Selon elle, le proc\u00e8s fran\u00e7ais est plus \u00ab\u00a0bord\u00e9lique\u00a0\u00bb \u00a0[<em><a href=\"https:\/\/fr.wikipedia.org\/wiki\/Sic\">sic<\/a><\/em>] que le proc\u00e8s am\u00e9ricain dans sa distribution de la parole, lui permettant de prendre le contre-pied des proc\u00e8s am\u00e9ricains, avec un film tr\u00e8s fran\u00e7ais et des \u00ab\u00a0blocs\u00a0\u00bb de parole ininterrompus.<\/p>\n<\/div><\/div>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n\n\n\n<p class=\"has-text-align-center wp-block-paragraph\">_<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Justine Triet explique la sc\u00e8ne d&rsquo;ouverture<\/strong><\/p>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe title=\"Justine Triet raconte les secrets de la sc\u00e8ne d&#039;ouverture d&#039;&quot;Anatomie d&#039;une chute&quot;, Palme d&#039;or 2023\" width=\"950\" height=\"534\" src=\"https:\/\/www.youtube.com\/embed\/TkRDSqHD550?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<h2 class=\"wp-block-heading has-text-align-center\"><a href=\"http:\/\/www.archifilm.fr\/wp\/?redirect_to=random\">Consulter une autre fiche tir\u00e9e au hasard<\/a><\/h2>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n","protected":false},"excerpt":{"rendered":"<p>_ Bande annonce _ Mots cl\u00e9s Justine Triet, Sandra H\u00fcller, Swann Arlaud, Milo Machado-Graner, drame, proc\u00e8s escalier, \u00e9tage, grenier, comble, chalet _ R\u00e9sum\u00e9 (d&rsquo;apr\u00e8s wikipedia) Sandra Voyter, Samuel Maleski et leur fils malvoyant Daniel, onze ans, vivent \u00e0 la montagne, non loin de Grenoble. Un jour, Samuel est retrouv\u00e9 mort au pied de leur chalet. &hellip; <\/p>\n<p class=\"link-more\"><a href=\"https:\/\/archifilm.fr\/wp\/?p=548\" class=\"more-link\">Lire la suite de<span class=\"screen-reader-text\">\u00ab\u00a0Anatomie d\u2019une chute, Justine Triet, 2023\u00a0\u00bb<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[7],"tags":[],"class_list":["post-548","post","type-post","status-publish","format-standard","hentry","category-ressources"],"featured_media_urls":[],"_links":{"self":[{"href":"https:\/\/archifilm.fr\/wp\/index.php?rest_route=\/wp\/v2\/posts\/548","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/archifilm.fr\/wp\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/archifilm.fr\/wp\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/archifilm.fr\/wp\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/archifilm.fr\/wp\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=548"}],"version-history":[{"count":9,"href":"https:\/\/archifilm.fr\/wp\/index.php?rest_route=\/wp\/v2\/posts\/548\/revisions"}],"predecessor-version":[{"id":579,"href":"https:\/\/archifilm.fr\/wp\/index.php?rest_route=\/wp\/v2\/posts\/548\/revisions\/579"}],"wp:attachment":[{"href":"https:\/\/archifilm.fr\/wp\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=548"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/archifilm.fr\/wp\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=548"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/archifilm.fr\/wp\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=548"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}