{"id":685,"date":"2024-06-23T08:03:21","date_gmt":"2024-06-23T06:03:21","guid":{"rendered":"https:\/\/archifilm.fr\/wp\/?p=685"},"modified":"2024-06-24T08:04:28","modified_gmt":"2024-06-24T06:04:28","slug":"fenetre-sur-cour-alfred-hitchcock-1954","status":"publish","type":"post","link":"https:\/\/archifilm.fr\/wp\/?p=685","title":{"rendered":"Fen\u00eatre sur cour, Alfred Hitchcock, 1954"},"content":{"rendered":"\n<p class=\"has-text-align-center\">_<\/p>\n\n\n\n<p><strong>Bande annonce<\/strong><\/p>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe title=\"Bande annonce - Fen\u00eatre sur cour\" width=\"950\" height=\"534\" src=\"https:\/\/www.youtube.com\/embed\/cNjZE4L5ZXs?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<p class=\"has-text-align-center\">_<\/p>\n\n\n\n<p><\/p>\n\n\n\n<figure class=\"wp-block-table\"><table><tbody><tr><td class=\"has-text-align-center\" data-align=\"center\"><strong>Mots cl\u00e9s<\/strong><\/td><\/tr><tr><td class=\"has-text-align-center\" data-align=\"center\">Alfred Hitchcock, James Stewart, Grace Kelly, Thelma Ritter, thriller, policier<\/td><\/tr><tr><td class=\"has-text-align-center\" data-align=\"center\">baie vitr\u00e9e, fen\u00eatre, cour, patio, vis-\u00e0-vis, balcon, brique, fa\u00e7ade, escalier de secours<\/td><\/tr><\/tbody><\/table><\/figure>\n\n\n\n<p><\/p>\n\n\n\n<p class=\"has-text-align-center\">_<\/p>\n\n\n\n<p><\/p>\n\n\n\n<p><strong>R\u00e9sum\u00e9<\/strong><\/p>\n\n\n\n<div class=\"wp-block-media-text is-stacked-on-mobile has-background-background-color has-background\"><figure class=\"wp-block-media-text__media\"><img fetchpriority=\"high\" decoding=\"async\" width=\"1024\" height=\"576\" src=\"https:\/\/archifilm.fr\/wp\/wp-content\/uploads\/2024\/06\/Fenetre-sur-cour-1024x576.webp\" alt=\"\" class=\"wp-image-730 size-full\" srcset=\"https:\/\/archifilm.fr\/wp\/wp-content\/uploads\/2024\/06\/Fenetre-sur-cour-1024x576.webp 1024w, https:\/\/archifilm.fr\/wp\/wp-content\/uploads\/2024\/06\/Fenetre-sur-cour-300x169.webp 300w, https:\/\/archifilm.fr\/wp\/wp-content\/uploads\/2024\/06\/Fenetre-sur-cour-150x84.webp 150w, https:\/\/archifilm.fr\/wp\/wp-content\/uploads\/2024\/06\/Fenetre-sur-cour-jpg.webp 1200w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/><\/figure><div class=\"wp-block-media-text__content\">\n<p><em>(d&rsquo;apr\u00e8s wikipedia)<\/em><\/p>\n\n\n\n<p>Le film, \u00e9crit par <a href=\"https:\/\/fr.wikipedia.org\/wiki\/John_Michael_Hayes\">John Michael Hayes<\/a> d&rsquo;apr\u00e8s la <a href=\"https:\/\/fr.wikipedia.org\/wiki\/Nouvelle\">nouvelle<\/a> <em>It Had to Be Murder<\/em> de Cornell Woolrich sous le pseudonyme de <a href=\"https:\/\/fr.wikipedia.org\/wiki\/William_Irish\">William Irish<\/a>, met en sc\u00e8ne <a href=\"https:\/\/fr.wikipedia.org\/wiki\/James_Stewart\">James Stewart<\/a> dans le r\u00f4le d&rsquo;un photographe qui, \u00e0 la suite d&rsquo;un accident, se retrouve en fauteuil roulant et passe son temps \u00e0 observer ses voisins, dont un qu&rsquo;il commence \u00e0 soup\u00e7onner de meurtre. <a href=\"https:\/\/fr.wikipedia.org\/wiki\/Grace_Kelly\">Grace Kelly<\/a> joue le r\u00f4le de la petite amie de Stewart, <a href=\"https:\/\/fr.wikipedia.org\/wiki\/Thelma_Ritter\">Thelma Ritter<\/a> celui de son infirmi\u00e8re, <a href=\"https:\/\/fr.wikipedia.org\/wiki\/Wendell_Corey\">Wendell Corey<\/a> un d\u00e9tective, et <a href=\"https:\/\/fr.wikipedia.org\/wiki\/Raymond_Burr\">Raymond Burr<\/a> le voisin suspect.<\/p>\n<\/div><\/div>\n\n\n\n<div class=\"wp-block-media-text has-media-on-the-right is-stacked-on-mobile\"><div class=\"wp-block-media-text__content\">\n<p><em>Fen\u00eatre sur cour<\/em> fonctionne en grande partie sur le mod\u00e8le <a href=\"https:\/\/fr.wikipedia.org\/wiki\/Champ-contrechamp\">champ-contrechamp<\/a>. \u00ab\u00a0[Un] homme immobile regarde au dehors. C&rsquo;est un premier morceau de film. [Un] deuxi\u00e8me morceau fait appara\u00eetre ce qu&rsquo;il voit et [un] troisi\u00e8me montre sa r\u00e9action.\u00a0\u00bb La cam\u00e9ra subjective est d\u00e8s lors utilis\u00e9e tout au long de l&rsquo;histoire. Ce n&rsquo;est qu&rsquo;\u00e0 la fin que s&rsquo;installe la cam\u00e9ra dans la cour, selon un principe hitchcockien pr\u00e9f\u00e9rant garder des images en r\u00e9serve pour le moment le plus dramatique. L&rsquo;espace est alors vu sous plusieurs angles, devenant ainsi objectif.<\/p>\n<\/div><figure class=\"wp-block-media-text__media\"><img decoding=\"async\" width=\"1024\" height=\"576\" src=\"https:\/\/archifilm.fr\/wp\/wp-content\/uploads\/2024\/06\/maxresdefault-2-1024x576.webp\" alt=\"\" class=\"wp-image-731 size-full\" srcset=\"https:\/\/archifilm.fr\/wp\/wp-content\/uploads\/2024\/06\/maxresdefault-2-1024x576.webp 1024w, https:\/\/archifilm.fr\/wp\/wp-content\/uploads\/2024\/06\/maxresdefault-2-300x169.webp 300w, https:\/\/archifilm.fr\/wp\/wp-content\/uploads\/2024\/06\/maxresdefault-2-150x84.webp 150w, https:\/\/archifilm.fr\/wp\/wp-content\/uploads\/2024\/06\/maxresdefault-2-jpg.webp 1280w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/><\/figure><\/div>\n\n\n\n<div class=\"wp-block-media-text is-stacked-on-mobile has-background-background-color has-background\"><figure class=\"wp-block-media-text__media\"><img decoding=\"async\" width=\"1024\" height=\"576\" src=\"https:\/\/archifilm.fr\/wp\/wp-content\/uploads\/2024\/06\/5a35fe53f4424a1f0ffe2bf6ab31d865a6122f7f-1024x576.webp\" alt=\"\" class=\"wp-image-732 size-full\" srcset=\"https:\/\/archifilm.fr\/wp\/wp-content\/uploads\/2024\/06\/5a35fe53f4424a1f0ffe2bf6ab31d865a6122f7f-1024x576.webp 1024w, https:\/\/archifilm.fr\/wp\/wp-content\/uploads\/2024\/06\/5a35fe53f4424a1f0ffe2bf6ab31d865a6122f7f-300x169.webp 300w, https:\/\/archifilm.fr\/wp\/wp-content\/uploads\/2024\/06\/5a35fe53f4424a1f0ffe2bf6ab31d865a6122f7f-150x84.webp 150w, https:\/\/archifilm.fr\/wp\/wp-content\/uploads\/2024\/06\/5a35fe53f4424a1f0ffe2bf6ab31d865a6122f7f-jpg.webp 1920w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/><\/figure><div class=\"wp-block-media-text__content\">\n<p>Dans un article autour du film intitul\u00e9 \u00ab\u00a0Le studio de tournage de l&rsquo;esprit\u00a0\u00bb, <a href=\"https:\/\/fr.wikipedia.org\/wiki\/Roberto_Calasso\">Roberto Calasso<\/a> rapporte une phrase de Hitchcock disant que \u00ab\u00a0<em>Fen\u00eatre sur cour<\/em> est totalement un processus mental, conduit \u00e0 travers des moyens visuels\u00a0\u00bb\u00a0; et Calasso commente ainsi cette place centrale d&rsquo;un \u0153il souverain, celui du personnage principal (photographe), de la cam\u00e9ra et du spectateur\u00a0: \u00ab\u00a0Peut-\u00eatre &#8211; et le titre anglais (<em>Rear Window<\/em>) l&rsquo;indique d\u00e9j\u00e0 &#8211; que c&rsquo;est une fen\u00eatre qui s&rsquo;ouvre sur ce qui \u00e9ternellement se trouve \u00ab\u00a0derri\u00e8re\u00a0\u00bb le monde\u00a0: le th\u00e9\u00e2tre de pose de l&rsquo;esprit.\u00a0\u00bb<\/p>\n<\/div><\/div>\n\n\n\n<p class=\"has-text-align-center\">_<\/p>\n\n\n\n<p><\/p>\n\n\n\n<p><strong>Extrait du film<\/strong> (VO)<\/p>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe title=\"Rear Window (9\/10) Movie CLIP - Out the Window (1954) HD\" width=\"950\" height=\"534\" src=\"https:\/\/www.youtube.com\/embed\/oowcsynjIwc?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<h2 class=\"wp-block-heading has-text-align-center\"><a href=\"http:\/\/www.archifilm.fr\/wp\/?redirect_to=random\">Consulter une autre fiche tir\u00e9e au hasard<\/a><\/h2>\n\n\n\n<p><\/p>\n","protected":false},"excerpt":{"rendered":"<p>_ Bande annonce _ Mots cl\u00e9s Alfred Hitchcock, James Stewart, Grace Kelly, Thelma Ritter, thriller, policier baie vitr\u00e9e, fen\u00eatre, cour, patio, vis-\u00e0-vis, balcon, brique, fa\u00e7ade, escalier de secours _ R\u00e9sum\u00e9 (d&rsquo;apr\u00e8s wikipedia) Le film, \u00e9crit par John Michael Hayes d&rsquo;apr\u00e8s la nouvelle It Had to Be Murder de Cornell Woolrich sous le pseudonyme de William &hellip; <\/p>\n<p class=\"link-more\"><a href=\"https:\/\/archifilm.fr\/wp\/?p=685\" class=\"more-link\">Lire la suite de<span class=\"screen-reader-text\">\u00ab\u00a0Fen\u00eatre sur cour, Alfred Hitchcock, 1954\u00a0\u00bb<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[7],"tags":[],"class_list":["post-685","post","type-post","status-publish","format-standard","hentry","category-ressources"],"featured_media_urls":[],"_links":{"self":[{"href":"https:\/\/archifilm.fr\/wp\/index.php?rest_route=\/wp\/v2\/posts\/685","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/archifilm.fr\/wp\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/archifilm.fr\/wp\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/archifilm.fr\/wp\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/archifilm.fr\/wp\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=685"}],"version-history":[{"count":6,"href":"https:\/\/archifilm.fr\/wp\/index.php?rest_route=\/wp\/v2\/posts\/685\/revisions"}],"predecessor-version":[{"id":733,"href":"https:\/\/archifilm.fr\/wp\/index.php?rest_route=\/wp\/v2\/posts\/685\/revisions\/733"}],"wp:attachment":[{"href":"https:\/\/archifilm.fr\/wp\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=685"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/archifilm.fr\/wp\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=685"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/archifilm.fr\/wp\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=685"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}