{"id":762,"date":"2024-06-25T08:14:11","date_gmt":"2024-06-25T06:14:11","guid":{"rendered":"https:\/\/archifilm.fr\/wp\/?p=762"},"modified":"2024-06-25T16:50:58","modified_gmt":"2024-06-25T14:50:58","slug":"hiroshima-mon-amour-alain-resnais-1959","status":"publish","type":"post","link":"https:\/\/archifilm.fr\/wp\/?p=762","title":{"rendered":"Hiroshima, mon amour, Alain Resnais, 1959"},"content":{"rendered":"\n<p class=\"has-text-align-center\">_<\/p>\n\n\n\n<p><strong>Bande annonce<\/strong><\/p>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe title=\"Hiroshima Mon Amour (1959) Trailer | Directed by Alain Resnais\" width=\"950\" height=\"534\" src=\"https:\/\/www.youtube.com\/embed\/yVHw15x1wHQ?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<p class=\"has-text-align-center\">_<\/p>\n\n\n\n<p><\/p>\n\n\n\n<figure class=\"wp-block-table\"><table><tbody><tr><td class=\"has-text-align-center\" data-align=\"center\"><strong>Mots cl\u00e9s<\/strong><\/td><\/tr><tr><td class=\"has-text-align-center\" data-align=\"center\">Alain Resnais, Marguerite Duras, Emmanuelle Riva, Eiji Okada, drame, romance, Hiroshima<\/td><\/tr><tr><td class=\"has-text-align-center\" data-align=\"center\">chambre, cave, ruine, place, patrimoine, banlieue<\/td><\/tr><\/tbody><\/table><\/figure>\n\n\n\n<p><\/p>\n\n\n\n<p class=\"has-text-align-center\">_<\/p>\n\n\n\n<p><\/p>\n\n\n\n<p><strong>R\u00e9sum\u00e9<\/strong><\/p>\n\n\n\n<div class=\"wp-block-media-text is-stacked-on-mobile has-background-background-color has-background\"><figure class=\"wp-block-media-text__media\"><img fetchpriority=\"high\" decoding=\"async\" width=\"1024\" height=\"713\" src=\"https:\/\/archifilm.fr\/wp\/wp-content\/uploads\/2024\/06\/Hiroshima_01-3ac3821b547c-1024x713.webp\" alt=\"\" class=\"wp-image-779 size-full\" srcset=\"https:\/\/archifilm.fr\/wp\/wp-content\/uploads\/2024\/06\/Hiroshima_01-3ac3821b547c-1024x713.webp 1024w, https:\/\/archifilm.fr\/wp\/wp-content\/uploads\/2024\/06\/Hiroshima_01-3ac3821b547c-300x209.webp 300w, https:\/\/archifilm.fr\/wp\/wp-content\/uploads\/2024\/06\/Hiroshima_01-3ac3821b547c-150x105.webp 150w, https:\/\/archifilm.fr\/wp\/wp-content\/uploads\/2024\/06\/Hiroshima_01-3ac3821b547c-jpeg.webp 1200w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/><\/figure><div class=\"wp-block-media-text__content\">\n<p><em>(d&rsquo;apr\u00e8s wikip\u00e9dia)<\/em><\/p>\n\n\n\n<p>La premi\u00e8re partie du film pr\u00e9sente \u00e0 la fa\u00e7on d&rsquo;un documentaire les retomb\u00e9es des <a href=\"https:\/\/fr.wikipedia.org\/wiki\/Bombardements_atomiques_d%27Hiroshima_et_de_Nagasaki\">bombardements atomiques d&rsquo;Hiroshima et Nagasaki<\/a> sur la population japonaise\u00a0; les narrateurs de ce chapitre sont les protagonistes qui n&rsquo;ont pas encore \u00e9t\u00e9 pr\u00e9sent\u00e9s, et qu&rsquo;expose la seconde partie du film. Une actrice fran\u00e7aise se rend \u00e0 <a href=\"https:\/\/fr.wikipedia.org\/wiki\/Hiroshima\">Hiroshima<\/a>, afin d&rsquo;y tourner un film sur la paix. Elle y rencontre un architecte japonais, ancien conscrit dont la famille a disparu sous les bombes, qui devient momentan\u00e9ment son amant, mais aussi son confident.<\/p>\n<\/div><\/div>\n\n\n\n<div class=\"wp-block-media-text has-media-on-the-right is-stacked-on-mobile\"><div class=\"wp-block-media-text__content\">\n<p>Alors qu&rsquo;ils s&rsquo;appr\u00eatent \u00e0 se quitter, il lui expose sa vie et lui r\u00e9p\u00e8te qu&rsquo;elle n&rsquo;a \u00ab\u00a0rien vu \u00e0 <a href=\"https:\/\/fr.wikipedia.org\/wiki\/Hiroshima\">Hiroshima<\/a>\u00a0\u00bb. Elle lui parle de son adolescence \u00e0 <a href=\"https:\/\/fr.wikipedia.org\/wiki\/Nevers\">Nevers<\/a> pendant la <a href=\"https:\/\/fr.wikipedia.org\/wiki\/Seconde_Guerre_mondiale\">Seconde Guerre mondiale<\/a>, de son amour pour un soldat allemand et de l&rsquo;humiliation qu&rsquo;elle a subie \u00e0 la <a href=\"https:\/\/fr.wikipedia.org\/wiki\/Lib%C3%A9ration_de_la_France\">Lib\u00e9ration de la France<\/a> lorsqu&rsquo;elle a \u00e9t\u00e9 <a href=\"https:\/\/fr.wikipedia.org\/wiki\/Femmes_tondues\">tondue<\/a>. Leurs \u00e9changes sur les th\u00e8mes de la m\u00e9moire et de l&rsquo;oubli nous sont pr\u00e9sent\u00e9s par fragments tout au long des trente-six heures racont\u00e9es par le film.<\/p>\n<\/div><figure class=\"wp-block-media-text__media\"><img decoding=\"async\" width=\"1024\" height=\"746\" src=\"https:\/\/archifilm.fr\/wp\/wp-content\/uploads\/2024\/06\/hiroshima-mon-amour-1024x746.webp\" alt=\"\" class=\"wp-image-780 size-full\" srcset=\"https:\/\/archifilm.fr\/wp\/wp-content\/uploads\/2024\/06\/hiroshima-mon-amour-1024x746.webp 1024w, https:\/\/archifilm.fr\/wp\/wp-content\/uploads\/2024\/06\/hiroshima-mon-amour-300x219.webp 300w, https:\/\/archifilm.fr\/wp\/wp-content\/uploads\/2024\/06\/hiroshima-mon-amour-150x109.webp 150w, https:\/\/archifilm.fr\/wp\/wp-content\/uploads\/2024\/06\/hiroshima-mon-amour-2000x1458.webp 2000w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/><\/figure><\/div>\n\n\n\n<div class=\"wp-block-media-text is-stacked-on-mobile has-background-background-color has-background\"><figure class=\"wp-block-media-text__media\"><img decoding=\"async\" width=\"1024\" height=\"698\" src=\"https:\/\/archifilm.fr\/wp\/wp-content\/uploads\/2024\/06\/hiroshima_mon_amour-1024x698.webp\" alt=\"\" class=\"wp-image-783 size-full\" srcset=\"https:\/\/archifilm.fr\/wp\/wp-content\/uploads\/2024\/06\/hiroshima_mon_amour-1024x698.webp 1024w, https:\/\/archifilm.fr\/wp\/wp-content\/uploads\/2024\/06\/hiroshima_mon_amour-300x204.webp 300w, https:\/\/archifilm.fr\/wp\/wp-content\/uploads\/2024\/06\/hiroshima_mon_amour-150x102.webp 150w, https:\/\/archifilm.fr\/wp\/wp-content\/uploads\/2024\/06\/hiroshima_mon_amour-jpg.webp 1522w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/><\/figure><div class=\"wp-block-media-text__content\">\n<p>Un jeu d&rsquo;analogie de la m\u00e9taphore se d\u00e9voile dans le film, dont la construction repose majoritairement sur des effets de sym\u00e9trie et de dissym\u00e9trie que l&rsquo;on remarque avec la pr\u00e9sence du chat blanc de la Place de la Paix \u00e0 Hiroshima qui devient le double m\u00e9taphorique du chat noir de la cave de Nevers, ou encore avec l&rsquo;image de la pluie tombant le soir sur Hiroshima qui s&rsquo;associe aux pluies de cendre et \u00e0 la pluie le long des murs de la cave de Nevers. Ces jeux d&rsquo;analogies poursuivent l&rsquo;id\u00e9e que l&rsquo;histoire personnelle des deux amants devient une nouvelle r\u00e9f\u00e9rence symbolique pour parler de la guerre.<sup><a href=\"https:\/\/fr.wikipedia.org\/wiki\/Aide:R%C3%A9f%C3%A9rence_n%C3%A9cessaire\"><\/a><a href=\"https:\/\/fr.wikipedia.org\/wiki\/La_Gar%C3%A7onni%C3%A8re_(film,_1960)#cite_note-Crowe_56-8\"><\/a><\/sup><\/p>\n<\/div><\/div>\n\n\n\n<p class=\"has-text-align-center\">_<\/p>\n\n\n\n<p><\/p>\n\n\n\n<p><strong>Analyse du film par Caroline Mehallel<\/strong><\/p>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe title=\"Hiroshima Mon Amour, de Alain Resnais, 1959. Chronique (S\/T Eng, Deut, Rus, Ar, Esp, It.)\" width=\"950\" height=\"534\" src=\"https:\/\/www.youtube.com\/embed\/swHBTX8O2Js?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<h2 class=\"wp-block-heading has-text-align-center\"><a href=\"http:\/\/www.archifilm.fr\/wp\/?redirect_to=random\">Consulter une autre fiche tir\u00e9e au hasard<\/a><\/h2>\n\n\n\n<p><\/p>\n","protected":false},"excerpt":{"rendered":"<p>_ Bande annonce _ Mots cl\u00e9s Alain Resnais, Marguerite Duras, Emmanuelle Riva, Eiji Okada, drame, romance, Hiroshima chambre, cave, ruine, place, patrimoine, banlieue _ R\u00e9sum\u00e9 (d&rsquo;apr\u00e8s wikip\u00e9dia) La premi\u00e8re partie du film pr\u00e9sente \u00e0 la fa\u00e7on d&rsquo;un documentaire les retomb\u00e9es des bombardements atomiques d&rsquo;Hiroshima et Nagasaki sur la population japonaise\u00a0; les narrateurs de ce chapitre &hellip; <\/p>\n<p class=\"link-more\"><a href=\"https:\/\/archifilm.fr\/wp\/?p=762\" class=\"more-link\">Lire la suite de<span class=\"screen-reader-text\">\u00ab\u00a0Hiroshima, mon amour, Alain Resnais, 1959\u00a0\u00bb<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[7],"tags":[],"class_list":["post-762","post","type-post","status-publish","format-standard","hentry","category-ressources"],"featured_media_urls":[],"_links":{"self":[{"href":"https:\/\/archifilm.fr\/wp\/index.php?rest_route=\/wp\/v2\/posts\/762","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/archifilm.fr\/wp\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/archifilm.fr\/wp\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/archifilm.fr\/wp\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/archifilm.fr\/wp\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=762"}],"version-history":[{"count":6,"href":"https:\/\/archifilm.fr\/wp\/index.php?rest_route=\/wp\/v2\/posts\/762\/revisions"}],"predecessor-version":[{"id":784,"href":"https:\/\/archifilm.fr\/wp\/index.php?rest_route=\/wp\/v2\/posts\/762\/revisions\/784"}],"wp:attachment":[{"href":"https:\/\/archifilm.fr\/wp\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=762"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/archifilm.fr\/wp\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=762"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/archifilm.fr\/wp\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=762"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}