{"id":968,"date":"2024-08-27T10:06:28","date_gmt":"2024-08-27T08:06:28","guid":{"rendered":"https:\/\/archifilm.fr\/wp\/?p=968"},"modified":"2024-08-29T09:55:00","modified_gmt":"2024-08-29T07:55:00","slug":"les-belles-creatures-gudmundur-arnar-gudmundsson-2024","status":"publish","type":"post","link":"https:\/\/archifilm.fr\/wp\/?p=968","title":{"rendered":"Belles cr\u00e9atures (Les), Gu\u00f0mundur Arnar Gu\u00f0mundsson, 2024"},"content":{"rendered":"\n<p class=\"has-text-align-center wp-block-paragraph\">_<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Bande annonce<\/strong><\/p>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe title=\"LES BELLES CR\u00c9ATURES - BANDE ANNONCE OFFICIELLE\" width=\"950\" height=\"534\" src=\"https:\/\/www.youtube.com\/embed\/3XYnoVUE5cs?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<p class=\"has-text-align-center wp-block-paragraph\">_<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n\n\n\n<figure class=\"wp-block-table\"><table><tbody><tr><td class=\"has-text-align-center\" data-align=\"center\"><strong>Mots cl\u00e9s<\/strong><\/td><\/tr><tr><td class=\"has-text-align-center\" data-align=\"center\">Gu\u00f0mundur Arnar Gu\u00f0mundsson, Birgir Dagur Bjarkaso, \u00c1skell Einar P\u00e1lmason, Viktor Ben\u00f3n\u00fd Benediktsson, Snorri Rafn Fr\u00edmannsson, drame, Islande<\/td><\/tr><tr><td class=\"has-text-align-center\" data-align=\"center\">toit, terrasse, vide, taudis, pont, abri, refuge<\/td><\/tr><\/tbody><\/table><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n\n\n\n<p class=\"has-text-align-center wp-block-paragraph\">_<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>R\u00e9sum\u00e9<\/strong><\/p>\n\n\n\n<div class=\"wp-block-media-text is-stacked-on-mobile has-background-background-color has-background\"><figure class=\"wp-block-media-text__media\"><img fetchpriority=\"high\" decoding=\"async\" width=\"1024\" height=\"576\" src=\"https:\/\/archifilm.fr\/wp\/wp-content\/uploads\/2024\/08\/LES_BELLES_CREATU-1024x576.webp\" alt=\"\" class=\"wp-image-975 size-full\" srcset=\"https:\/\/archifilm.fr\/wp\/wp-content\/uploads\/2024\/08\/LES_BELLES_CREATU-1024x576.webp 1024w, https:\/\/archifilm.fr\/wp\/wp-content\/uploads\/2024\/08\/LES_BELLES_CREATU-300x169.webp 300w, https:\/\/archifilm.fr\/wp\/wp-content\/uploads\/2024\/08\/LES_BELLES_CREATU-150x84.webp 150w, https:\/\/archifilm.fr\/wp\/wp-content\/uploads\/2024\/08\/LES_BELLES_CREATU-jpg.webp 1920w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/><\/figure><div class=\"wp-block-media-text__content\">\n<p class=\"wp-block-paragraph\">Addi, 14 ans, est \u00e9lev\u00e9 par sa m\u00e8re clairvoyante qui per\u00e7oit l\u2019avenir dans les r\u00eaves. Il prend sous son aile Balli, un gar\u00e7on introverti et en marge, victime d\u2019harc\u00e8lement scolaire. En l\u2019int\u00e9grant \u00e0 sa bande, ces gar\u00e7ons d\u00e9s\u0153uvr\u00e9s et livr\u00e9s \u00e0 eux-m\u00eames explorent la brutalit\u00e9 et la violence, comme seuls moyens d\u2019expression et d\u2019exister. Alors que les probl\u00e8mes du groupe s\u2019aggravent, Addi commence \u00e0 vivre une s\u00e9rie de visions oniriques. Ses nouvelles intuitions lui permettront-elles de les guider et de trouver leur propre chemin ?<\/p>\n<\/div><\/div>\n\n\n\n<div class=\"wp-block-media-text has-media-on-the-right is-stacked-on-mobile\"><div class=\"wp-block-media-text__content\">\n<p class=\"wp-block-paragraph\">Le r\u00e9alisateur Gu\u00f0mundur Arnar Gu\u00f0mundsson d\u00e9livre sa vision de l&rsquo;Islande sujette \u00e0 sa jeunesse d\u00e9laiss\u00e9e et sans rep\u00e8res parentaux. La cam\u00e9ra oscille entre ciel et terre et trouve le calme sur les toits, les terrasses inaccessibles et les ponts qui permettent aux adolescents de s\u2019\u00e9chapper \u00e0 la pesanteur de leur quotidien effrayant.<\/p>\n<\/div><figure class=\"wp-block-media-text__media\"><img decoding=\"async\" width=\"1024\" height=\"576\" src=\"https:\/\/archifilm.fr\/wp\/wp-content\/uploads\/2024\/08\/LES_BELLES_CREATUREs-1024x576.webp\" alt=\"\" class=\"wp-image-976 size-full\" srcset=\"https:\/\/archifilm.fr\/wp\/wp-content\/uploads\/2024\/08\/LES_BELLES_CREATUREs-1024x576.webp 1024w, https:\/\/archifilm.fr\/wp\/wp-content\/uploads\/2024\/08\/LES_BELLES_CREATUREs-300x169.webp 300w, https:\/\/archifilm.fr\/wp\/wp-content\/uploads\/2024\/08\/LES_BELLES_CREATUREs-150x84.webp 150w, https:\/\/archifilm.fr\/wp\/wp-content\/uploads\/2024\/08\/LES_BELLES_CREATUREs-jpg.webp 1920w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/><\/figure><\/div>\n\n\n\n<div class=\"wp-block-media-text is-stacked-on-mobile has-background-background-color has-background\"><figure class=\"wp-block-media-text__media\"><img decoding=\"async\" width=\"1024\" height=\"576\" src=\"https:\/\/archifilm.fr\/wp\/wp-content\/uploads\/2024\/08\/LES_BELLES_CREAT-1024x576.webp\" alt=\"\" class=\"wp-image-977 size-full\" srcset=\"https:\/\/archifilm.fr\/wp\/wp-content\/uploads\/2024\/08\/LES_BELLES_CREAT-1024x576.webp 1024w, https:\/\/archifilm.fr\/wp\/wp-content\/uploads\/2024\/08\/LES_BELLES_CREAT-300x169.webp 300w, https:\/\/archifilm.fr\/wp\/wp-content\/uploads\/2024\/08\/LES_BELLES_CREAT-150x84.webp 150w, https:\/\/archifilm.fr\/wp\/wp-content\/uploads\/2024\/08\/LES_BELLES_CREAT-jpg.webp 1920w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/><\/figure><div class=\"wp-block-media-text__content\">\n<p class=\"wp-block-paragraph\">L&rsquo;esth\u00e9tisation n&rsquo;est pas dans la chor\u00e9graphie de la violence, les pics de col\u00e8re n&rsquo;\u00e9tant montr\u00e9s que quelques secondes. Le hors champ souvent prend le relais, confrontant le regard absent des t\u00e9moins\/spectateurs que nous sommes au retrait\/silence que la soci\u00e9t\u00e9 accorde la soci\u00e9t\u00e9 \u00e0 ses enfants malmen\u00e9s. Ne leur reste alors que des zones, lieux d\u00e9saffect\u00e9s, insalubres ou difficilement accessibles pour pouvoir se construire un abri physique et psychologique.<\/p>\n<\/div><\/div>\n\n\n\n<p class=\"has-text-align-center wp-block-paragraph\">_<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Extrait du film<\/strong><\/p>\n\n\n\n<figure class=\"wp-block-video\"><video height=\"1080\" style=\"aspect-ratio: 1920 \/ 1080;\" width=\"1920\" controls src=\"https:\/\/archifilm.fr\/wp\/wp-content\/uploads\/2024\/08\/Les-belles-creatures-Extrait-1-ov-st-en-Cineuropa.mp4\"><\/video><\/figure>\n\n\n\n<h2 class=\"wp-block-heading has-text-align-center\"><a href=\"http:\/\/www.archifilm.fr\/wp\/?redirect_to=random\">Consulter une autre fiche tir\u00e9e au hasard<\/a><\/h2>\n","protected":false},"excerpt":{"rendered":"<p>_ Bande annonce _ Mots cl\u00e9s Gu\u00f0mundur Arnar Gu\u00f0mundsson, Birgir Dagur Bjarkaso, \u00c1skell Einar P\u00e1lmason, Viktor Ben\u00f3n\u00fd Benediktsson, Snorri Rafn Fr\u00edmannsson, drame, Islande toit, terrasse, vide, taudis, pont, abri, refuge _ R\u00e9sum\u00e9 Addi, 14 ans, est \u00e9lev\u00e9 par sa m\u00e8re clairvoyante qui per\u00e7oit l\u2019avenir dans les r\u00eaves. Il prend sous son aile Balli, un gar\u00e7on &hellip; <\/p>\n<p class=\"link-more\"><a href=\"https:\/\/archifilm.fr\/wp\/?p=968\" class=\"more-link\">Lire la suite de<span class=\"screen-reader-text\">\u00ab\u00a0Belles cr\u00e9atures (Les), Gu\u00f0mundur Arnar Gu\u00f0mundsson, 2024\u00a0\u00bb<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[7],"tags":[],"class_list":["post-968","post","type-post","status-publish","format-standard","hentry","category-ressources"],"featured_media_urls":[],"_links":{"self":[{"href":"https:\/\/archifilm.fr\/wp\/index.php?rest_route=\/wp\/v2\/posts\/968","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/archifilm.fr\/wp\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/archifilm.fr\/wp\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/archifilm.fr\/wp\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/archifilm.fr\/wp\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=968"}],"version-history":[{"count":8,"href":"https:\/\/archifilm.fr\/wp\/index.php?rest_route=\/wp\/v2\/posts\/968\/revisions"}],"predecessor-version":[{"id":1000,"href":"https:\/\/archifilm.fr\/wp\/index.php?rest_route=\/wp\/v2\/posts\/968\/revisions\/1000"}],"wp:attachment":[{"href":"https:\/\/archifilm.fr\/wp\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=968"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/archifilm.fr\/wp\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=968"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/archifilm.fr\/wp\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=968"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}