{"id":993,"date":"2024-08-29T09:54:00","date_gmt":"2024-08-29T07:54:00","guid":{"rendered":"https:\/\/archifilm.fr\/wp\/?p=993"},"modified":"2024-08-29T09:54:00","modified_gmt":"2024-08-29T07:54:00","slug":"jour-se-leve-le-marcel-carne-1939","status":"publish","type":"post","link":"https:\/\/archifilm.fr\/wp\/?p=993","title":{"rendered":"Jour se l\u00e8ve (Le), Marcel Carn\u00e9, 1939"},"content":{"rendered":"\n<p class=\"has-text-align-center\">_<\/p>\n\n\n\n<p><\/p>\n\n\n\n<p><strong>Bande annonce<\/strong><\/p>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe title=\"LE JOUR SE LEVE - Official Trailer - 75th Anniversary 4K Restoration\" width=\"950\" height=\"534\" src=\"https:\/\/www.youtube.com\/embed\/TlLqSYt3EdM?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<p class=\"has-text-align-center\">_<\/p>\n\n\n\n<p><\/p>\n\n\n\n<figure class=\"wp-block-table\"><table><tbody><tr><td class=\"has-text-align-center\" data-align=\"center\"><strong>Mots cl\u00e9s<\/strong><\/td><\/tr><tr><td class=\"has-text-align-center\" data-align=\"center\">Marcel Carn\u00e9, Alexandre Trauner, Jean Gabin, Arletty, Jules Berry, drame<\/td><\/tr><tr><td class=\"has-text-align-center\" data-align=\"center\">chambre, escalier, rue, appartement,<\/td><\/tr><\/tbody><\/table><\/figure>\n\n\n\n<p><\/p>\n\n\n\n<p class=\"has-text-align-center\">_<\/p>\n\n\n\n<p><\/p>\n\n\n\n<p><strong>R\u00e9sum\u00e9<\/strong><\/p>\n\n\n\n<div class=\"wp-block-media-text is-stacked-on-mobile has-background-background-color has-background\"><figure class=\"wp-block-media-text__media\"><img fetchpriority=\"high\" decoding=\"async\" width=\"1024\" height=\"764\" src=\"https:\/\/archifilm.fr\/wp\/wp-content\/uploads\/2024\/08\/8ez-qz46Y7TvUm4BnHQ-xu8Hg-1024x764.webp\" alt=\"\" class=\"wp-image-995 size-full\" srcset=\"https:\/\/archifilm.fr\/wp\/wp-content\/uploads\/2024\/08\/8ez-qz46Y7TvUm4BnHQ-xu8Hg-1024x764.webp 1024w, https:\/\/archifilm.fr\/wp\/wp-content\/uploads\/2024\/08\/8ez-qz46Y7TvUm4BnHQ-xu8Hg-300x224.webp 300w, https:\/\/archifilm.fr\/wp\/wp-content\/uploads\/2024\/08\/8ez-qz46Y7TvUm4BnHQ-xu8Hg-150x112.webp 150w, https:\/\/archifilm.fr\/wp\/wp-content\/uploads\/2024\/08\/8ez-qz46Y7TvUm4BnHQ-xu8Hg-jpg.webp 1200w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/><\/figure><div class=\"wp-block-media-text__content\">\n<p><em>(d&rsquo;apr\u00e8s wikipedia)<\/em><\/p>\n\n\n\n<p>Bless\u00e9 \u00e0 mort, un homme vient de s&rsquo;\u00e9crouler dans un escalier d&rsquo;immeuble. Rest\u00e9 seul dans sa chambre que la police assi\u00e9gera jusqu&rsquo;au matin, Fran\u00e7ois, l&rsquo;ouvrier sableur, aura tout le temps de se souvenir des \u00e9v\u00e9nements qui l&rsquo;ont conduit \u00e0 commettre ce meurtre.<\/p>\n<\/div><\/div>\n\n\n\n<div class=\"wp-block-media-text has-media-on-the-right is-stacked-on-mobile\"><div class=\"wp-block-media-text__content\">\n<p><em>Le Jour se l\u00e8ve<\/em> sort dans les salles fran\u00e7aises le 9 juin 1939 et conna\u00eet un accueil critique assez ti\u00e8de, voire hostile en raison de la \u00ab\u00a0vision politique du film qui montre un certain effondrement social de la classe ouvri\u00e8re\u00a0\u00bb, qui conduit le gouvernement d&rsquo;\u00c9douard Daladier \u00e0 interdire le film en d\u00e9cembre 1939, trois mois apr\u00e8s le d\u00e9clenchement de la Seconde Guerre mondiale, puis par le gouvernement de Vichy sous l&rsquo;Occupation, avant de sortir \u00e0 nouveau en 1942 avec quelques s\u00e9quences coup\u00e9es (un plan de quelques secondes avec Arletty nue sous la douche et des policiers malmen\u00e9s par la foule). <\/p>\n<\/div><figure class=\"wp-block-media-text__media\"><img decoding=\"async\" width=\"1024\" height=\"576\" src=\"https:\/\/archifilm.fr\/wp\/wp-content\/uploads\/2024\/08\/lejourseleve-1280x720-1-1024x576.webp\" alt=\"\" class=\"wp-image-998 size-full\" srcset=\"https:\/\/archifilm.fr\/wp\/wp-content\/uploads\/2024\/08\/lejourseleve-1280x720-1-1024x576.webp 1024w, https:\/\/archifilm.fr\/wp\/wp-content\/uploads\/2024\/08\/lejourseleve-1280x720-1-300x169.webp 300w, https:\/\/archifilm.fr\/wp\/wp-content\/uploads\/2024\/08\/lejourseleve-1280x720-1-150x84.webp 150w, https:\/\/archifilm.fr\/wp\/wp-content\/uploads\/2024\/08\/lejourseleve-1280x720-1-jpg.webp 1280w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/><\/figure><\/div>\n\n\n\n<div class=\"wp-block-media-text is-stacked-on-mobile has-background-background-color has-background\"><figure class=\"wp-block-media-text__media\"><img decoding=\"async\" width=\"1024\" height=\"576\" src=\"https:\/\/archifilm.fr\/wp\/wp-content\/uploads\/2024\/08\/le-jour-se-leve-carne-1024x576.webp\" alt=\"\" class=\"wp-image-997 size-full\" srcset=\"https:\/\/archifilm.fr\/wp\/wp-content\/uploads\/2024\/08\/le-jour-se-leve-carne-1024x576.webp 1024w, https:\/\/archifilm.fr\/wp\/wp-content\/uploads\/2024\/08\/le-jour-se-leve-carne-300x169.webp 300w, https:\/\/archifilm.fr\/wp\/wp-content\/uploads\/2024\/08\/le-jour-se-leve-carne-150x84.webp 150w, https:\/\/archifilm.fr\/wp\/wp-content\/uploads\/2024\/08\/le-jour-se-leve-carne-jpg.webp 1200w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/><\/figure><div class=\"wp-block-media-text__content\">\n<p><em>Le Jour se l\u00e8ve<\/em> a \u00e9galement \u00e9cop\u00e9 d&rsquo;une interdiction aux moins de 16 ans en raison de son c\u00f4t\u00e9 \u00ab\u00a0d\u00e9moralisant\u00a0\u00bb. Les s\u00e9quences coup\u00e9es seront r\u00e9int\u00e9gr\u00e9es lors de la ressortie du film en version restaur\u00e9e en 2014. Il est consid\u00e9r\u00e9 par la suite comme l&rsquo;un des plus grands classiques du cin\u00e9ma fran\u00e7ais.<\/p>\n\n\n\n<p>Le d\u00e9cor de la chambre, construit par <a href=\"https:\/\/fr.wikipedia.org\/wiki\/Alexandre_Trauner\">Alexandre Trauner<\/a>, comporte les quatre c\u00f4t\u00e9s de la chambre (et non trois comme il \u00e9tait de coutume) pour autoriser des plans circulaires et souligner l&rsquo;enfermement.<\/p>\n<\/div><\/div>\n\n\n\n<p class=\"has-text-align-center\">_<\/p>\n\n\n\n<p><\/p>\n\n\n\n<p><\/p>\n\n\n\n<p><strong>Extrait du film<\/strong><\/p>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-4-3 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe title=\"Jules Berry \/Jean Gabin \/ Arletty _ &quot;Le jour se l\u00e8ve&quot;\" width=\"950\" height=\"713\" src=\"https:\/\/www.youtube.com\/embed\/euJi0jzb7qM?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<h2 class=\"wp-block-heading has-text-align-center\"><a href=\"http:\/\/www.archifilm.fr\/wp\/?redirect_to=random\">Consulter une autre fiche tir\u00e9e au hasard<\/a><\/h2>\n","protected":false},"excerpt":{"rendered":"<p>_ Bande annonce _ Mots cl\u00e9s Marcel Carn\u00e9, Alexandre Trauner, Jean Gabin, Arletty, Jules Berry, drame chambre, escalier, rue, appartement, _ R\u00e9sum\u00e9 (d&rsquo;apr\u00e8s wikipedia) Bless\u00e9 \u00e0 mort, un homme vient de s&rsquo;\u00e9crouler dans un escalier d&rsquo;immeuble. Rest\u00e9 seul dans sa chambre que la police assi\u00e9gera jusqu&rsquo;au matin, Fran\u00e7ois, l&rsquo;ouvrier sableur, aura tout le temps de &hellip; <\/p>\n<p class=\"link-more\"><a href=\"https:\/\/archifilm.fr\/wp\/?p=993\" class=\"more-link\">Lire la suite de<span class=\"screen-reader-text\">\u00ab\u00a0Jour se l\u00e8ve (Le), Marcel Carn\u00e9, 1939\u00a0\u00bb<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[7],"tags":[],"class_list":["post-993","post","type-post","status-publish","format-standard","hentry","category-ressources"],"featured_media_urls":[],"_links":{"self":[{"href":"https:\/\/archifilm.fr\/wp\/index.php?rest_route=\/wp\/v2\/posts\/993","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/archifilm.fr\/wp\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/archifilm.fr\/wp\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/archifilm.fr\/wp\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/archifilm.fr\/wp\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=993"}],"version-history":[{"count":2,"href":"https:\/\/archifilm.fr\/wp\/index.php?rest_route=\/wp\/v2\/posts\/993\/revisions"}],"predecessor-version":[{"id":999,"href":"https:\/\/archifilm.fr\/wp\/index.php?rest_route=\/wp\/v2\/posts\/993\/revisions\/999"}],"wp:attachment":[{"href":"https:\/\/archifilm.fr\/wp\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=993"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/archifilm.fr\/wp\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=993"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/archifilm.fr\/wp\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=993"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}